Queen + Adam Lambert Rock Big

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Hello 2015!

I didn't mean to leave such a long gap between posts. In fact there are tons of half-finished posts that I haven't got round to finishing and publishing yet.

I feel compelled to jot down a few words right now, even if it's just a pic/tweet spam to capture the instinctive reaction. How fucking good was that, eh? What a way to ring in the new year. I'm pretty sure that won over a whole new legion of fans who are busy Googling and getting sucked into this world we've been inhabiting for the last 5+ years. Yes, remember that? Bwhahahahaha!

Anyway, it was good of the BBC to stream it for everyone.

I don't have enough time for a full detailed review of all the notes and everything, but that first song, those first notes, that first little personalised "inside out" embellishment, those sparkly eyes, that cheeky glint, the playfulness, the drama, the swagger, the presence, the fresh face, the big bouncy curled quiff. Oh yes, it's the same but better than ever.

It's like when it's winter and you've been indoors for ages and it's all dark and gloomy and windy and drizzly outside and you've forgotten what it's like go go outside without a big duvet a hat and scarf that covers up your hearing, limiting what you can see, which is all a bit monochrome anyway. Then all of a sudden the sun comes out dazzling and warm and the birds start chirping and the everything's multifaceted in technicolour and great. In fact it's better than great because it's better than how you remember it from before.

Yes, Adam Fucking Lambert somehow always manages to be even better than how you remember him. And it wasn't even that long ago since we last saw him on Helen Fischer.

Here's my playlist:



There are a lot of highlights from tonight - the energy, the huge notes, the guitar solos, the bagpipe rework of We Will Rock You, even the belated confetti shower that should've happened at the first Queenbert meeting with that very same song - but I'll just sum up my overall impression.

They made it look so easy working not only the in-house audience but every one of us glued to our screens. There was joy radiating out of the performers as it's so obvious they they connect with each other and genuinely love what they are doing. And we feel it.

Magnificent.

Here are my tweets from the time, and if you look at the end - well what a start to 2015 I've had, eh?!

Queenbert iHeartRadio Festival Las Vegas

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It was Queenbert last time round that broke this blog due to the long sets and overwhelming volume of media, so this seems an appropriate time to fix it. A Queenbert collaboration is about as perfect a fit as it's possible to get and a reunion we'd been wishing the months away for. Here's the full set:



It seems like forever since I last saw Adam perform and what a sight for sore eyes he is. Wow. He looks stunning. Cutting a svelte figure looking refined in unimposing understated black, he's dressed respectfully in keeping with the rest of the band and not attention-seekily, which only shows Adam's sensitivity and class. There's facial hair with very little make-up and it's quite rare to see him without a jacket for such an event. Maybe he's remembered it makes him sweat bucketloads. Casual with shirt slashed to the waist and skintight jeans, there's no denying his irresistible sex appeal. The only bling comes in the form of a bit of jewellery, a belt and those bedazzled Louboutins.

The set kicks off with the "Mama" part of Bohemian Rhapsody and with it he's finally scratched my 5 year (almost) itch. Despite being part of previous Queenbert concerts, this is the first time Adam has performed it since his AI audition. It will draw the inevitable comparisons with Freddie but he holds his own. I think he lacks the cutting clarity of Freddie's tone but it's strong and he adds a different grittier rock texture to it. The theatricality and the emotion still give it that impact though.

Another One Bites The Dust completes the opening medley and the start is a shock. Adam's voice is so low and rich and it's that part of his range that we rarely hear. Even during the higher parts I realise that during the Trespassing era I haven't heard that much of his melodic sweet spot, which is truly sublime. He gets his strut on, showing us all what a powerful and charismatic front man he makes.

Crazy Little Thing Called Love comes with a heavy dose of swagger with some of Adam's diction a nod to Elvis. He's a bit tentative when the music cuts out but his belting is mightily impressive.

Who Wants To Live Forever brings an abrupt change to the mood of the set. Super dramatic from very soft and whispery to strong, powerful and operatic, Adam's voice seems limitless as he glides effortlessly between its many different shades and facets. He gives me goosebumps galore, especially at the climax which I will to keep going. You cannot fail to be moved by this and the emotion behind it. It's spellbinding. I watch and listen in awe, astounded all over again by his mastery of his phenomenal voice. I already feel from this concert that he's reached a new level, above everything else so far and it makes me proud to see him strive to keep improving when there's so little room for it. It could just be the quality of the recordings but it sounds to me that the difference between this and last year's Queenbert is considerable.

Adam leaves the stage for Fun to join Queen for Somebody To Love, sung by their front man Nate Ruess. It's quite cruel for anyone to follow Adam, kind of like the anti-climax of Kris performing after Adam on the AI tour. Nate has a lovely timbre to his voice but he seems to not be very well trained on the mic. I think it's too far and he doesn't keep it steady, affecting how we perceive his tone, power, projection and volume. They have different styles though and I've come to appreciate how slick and well-controlled Adam's is. Comparatively rough around the edges, Nate does a good job and it's enjoyable, but for selfish reasons I can't help but wish it were Adam singing instead. As an aside, it seems Fun's guitarist didn't get the memo regarding what to wear. I think he looks like a guy they dragged in off the street.

Adam is re-introduced back on stage for a Fat Bottomed Girls duet with Nate. When I think of Adam performing, I often think of him playing up to the crowd but I have a new-found appreciation of how physically restrained he is. In direct contrast to Nate's rather hyperactive flaily style, Adam seems effortlessly cool and laid back in comparison. His stage presence still dominates and is second-to-none. The highlight which is hilarious, has to be where he straddles an imaginary object (I'll leave that to your imagination), works his snake hips and demands us to get on our bikes and ride. Yes sir!

A mashup of Dragon Attack with the Bohemian Rhapsody breakdown follows. By force of habit, I almost expect DA to segue into Shady but both songs are frustratingly abbreviated. He hits a rare sharp note in the very short burst of BR. I want to hear more of it though. I really think full versions deserve to be heard and a half hour set is nowhere near enough.

We Will Rock You marks the beginning of the end. A tuft of hair is starting to fall and there's a flat note. I have to say that the crowd is particularly lame. Don't any of them know how to clap in time? Admittedly they didn't all come to see Queen and the venue is massive but when you compare it to any of the London shows it must have been a disappointment for the performers. Maybe Adam should have led the clapping There was the potential to create a magical atmosphere for all that was missed.

We Are The Champions is the spectacular conclusion to the set and Adam leaves no doubt as to his suitability for the task in hand. The crowd is better for this one with a few arms swaying in the air but it's still not a patch on London last year. He ends the concert with a blast of his trademark bluesy runs but I just don't want it to end.

I love this concert though the truncated songs and the abrupt switching between them is a serious source of irritation. I would've liked to have heard Don't Stop Me Now, The Show Must Go On and a full Bohemian Rhapsody but the allocated time is too short. I feel that Adam's upped his game, vocally stretching his range. His voice and his presence are so very powerful, exuding charisma and commanding all before him. There is no denying his Rock God credentials as I feel humbled just watching him. Magnificent.

Crowning the EMAs

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Thoughts are a jumble, tuning in was a hectic scramble but got there just in time for this, the not-very-well-kept secret of Adam and global icons Queen crowning off the EMAs with a medley of "The Show Must Go On", "Under Pressure", "We Will Rock You" and "We Are The Champions":



MAGNIFICENT.

Power.

Panache.

What a voice.

What a frontman.

No one else could.

Global Icon.

I got my wish.

There may be some more thoughts tomorrow after repeated viewings.

Also, weird red carpet wide forehead hair with fugly clunky blue shoes that remind me of '80s wallabies. But I don't give a fuck when has a voice like that and performs like that.
Did I mention that he's a fucking megastar?

The Final Results Show

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Well it's been a looooong time coming, apologies, but here's my very overdue review of the final results show. Hope the revisit helps with the withdrawal symptoms.

It was a horrible feeling I had going into this one. It would be the last time I would see Adam perform for a very long time and I would no longer be able to speculate on his song choice, wardrobe and hair. I'd heard rumours about some crazy wardrobe choices and a duet with KISS. I was looking forward to the performances and to him being crowned the winner. I noticed that at the start, they graphics seemed to depict both contestants like it was an election, with Adam's RoF hell pitted against Kris's heavenly blue background, maybe the type of showdown the producers were rumoured to have wanted.

The first wardrobe choice I found was a little bit strange. When Adam and Kris walked down the steps, they were dressed heard to toe in white and it looked like they were either wearing matching pyjamas or Clockwork Orange jumpsuits. On closer inspection, Adam was wearing patent silver boots that I later found out were supposedly flown in especially from Antwerp. There were some technical problems because the mics weren't working.

When it was time for the first act, it made more sense that they were all in white and the only clothing that wasn't, were Adam's boots. Even without them, he looked like a rock star, owning the stage when he was jumping around and with his kneeling close-up when he punched the air. When the others went down to the platform behind the judges, Adam stayed on stage guiding Scott. It felt like Adam got a little bit more camera time than anyone else and being the tallest and in the centre of the stage certainly helped. Besides, the camera just loves him.



Adam's next appearance was a slightly comedic clip where he was pretending to wind a lever to spin the trophy that Kris held. Ryan spoke to Adam's parents and Adam's mother was wearing some black rocker gloves with her outfit, and his father had painted his nails, which I loved. I wondered whether the fact that Adam's parents are divorced and so couldn't really play happy families had any negative impact on the result.



I found the package of Adam's journey quite moving as it painted him out to be a great, groundbreaking artist who shook up the show. We were reminded that Adam faithfully fulfilled the promise he made at the start by using his ideas to twist up old songs and surprise us. It seemed very much like a sentimental winner's package down to the soundtrack of Viva La Vida and the shot of his gloved hand punching the air at the end. I felt a tinge of reflective sadness as I watched it, seeing how he has developed and how I would miss following his journey on a weekly basis.

When Adam graced the stage for his performance of Beth, it was a Moment even before he started singing. The sea of the audience stood up in waves of anticipation and applause in his presence, as if they knew they were about to witness something special. The camera looked up at him from below as he stood majestic and statuesque like a deity serenely surveying his subjects. He was radiant and absolutely beautiful with his movements relaxed. It felt like he was finally completely comfortable, standing proud, confident, truly being himself with heartfelt sincerity. He gave us a knowing look with a couple of blink-and-you'll-miss-them cheeky eyebrow twitches. That look told me he knew me and knew what lay in my deepest and darkest recesses and that he understood. The glint in his eyes also made it as obvious as possible without a formal declaration what he meant by playing all night with him and the boys, come join us if you dare. He seemed to emanate a happiness, an inner peace and it was the first time I'd felt that magical connection. The simple piano accompaniment highlighting the clarity and effortlessness of his gorgeously low, rich and slightly grainy vocals only added to his splendour.

When I was able to notice the clothing, I was amazed by his industrial rhinestone shoulder cages / angel wings worn over a black aligator-skin top that had a matching rhinestone trim. It was teamed up with his fingerless gloves, his biker trousers from Cryin' and his glittery gold Zodiac Show platforms. Glambert! His eyes were surrounded with glistening jewels and he wore sparkly handcuffs where his belt-loop chains would normally be. I thought this was symbolic of his finally being free and unshackled in expressing himself without the pressure or judgement of competition. The shot from behind made his hunched posture portray him as a very lonely but gentle figure. From the front, his platforms gave him extra height, and the camera angles of the bright lights above and behind him and his towering over us with his angel wings, made him seem like a supreme being. Everything about his performance suggested to me that we were witnessing his transcendence. He looked stunning, like a dark sci-fi post-apocalyptic manga angel-prince. The audience gazed in awe at the fruition of his years of toil, the pinnacle of the Adam Lambert Show.

I loved the sound of Adam's voice when he introduced KISS. It was very different from his speaking voice and it had a rock edge to it. The band descended from a platform amid a cascade of fireworks. Compared to the band, who I thought looked a bit dated and on the vulgar side, Adam looked understatedly sophisticated! He stomped and strutted his way around the stage, visibly having a lot of fun. When his voice broke through during Detroit Rock City, it sounded incredible and everything about Adam - his style, his vocals, his sneer, his movements and his stage presence completely outclassed KISS. We were left in no doubt as to who the superstar was. There was a cheesy but amusing split-screen graphic with Adam in the centre. During Rock'n'Roll All Nite, Adam's parents were shown rocking out, which was really heartwarming. Adam managed to sneak some hip-swivels and a crotch grab in underneath the censors before wailing some trademark high but short notes. The performance ended with more fireworks being set off to the smashing of a guitar. Adam seemed to have that post-performance adrenaline beam that had been lacking for some time. He rocked the house. What a fantastically fun and energetic performance that was.



The Ford video was a slightly sad and earnest duet with Kris and Adam, showing extracts from the previous videos. It sounded soft but I don't think their voices went well together. The next part showed David Cook hand out the award of cars to each of them. Adam's reaction of cackling whilst bent double was priceless. It was a little uncomfortable though, to watch the blatantly staged and scripted plug. I hope Adam doesn't have to endorse shitty stuff in tacky adverts in the future.

The next performance to include Adam was Santana's smooth. Adam seemed to lead everyone out, clapping in time to the music before being the only one to shake hands with Santana's extended hand. He was dressed all in black apart from a red tie, accessoriesed with a studded belt - a scorching hot look. He also wore a holster / braces and looked like a detective in a fabulous Glambert universe where the most serious crimes possible to commit, for which he was head of investigations, were crimes against fashion. Yes, I'd happily commit a fashion crime in order to get arrested by Adam before getting styled! Adam's first line of his solo was a little off, but he recovered to add some smut in Like seven inches IN (original: from) the midday sun to the lyrics, giving us his most seductive eyes. You just have to admire his wit and gall, still bending the limits and seeing how much he can get away with. With his loose hips and shoulders, he showed us some great salsa-type dance moves which he made to look naturally effortless. He did some dancing with Allison and it occurred to me then that he must be absolutely loving all the different costume changes.



The next act was Do You Think I'm Sexy. Adam looked very classy in a black suit and led one side onto the stage. He was again in the centre along with Kris and treated the crowd to a few naughty expressions and raised eyebrows. The line-up made up of all the guys reminded me a bit of The Full Monty where you almost expect them to do a striptease. Adam's movements were a controlled and subdued sexy in this performance but his voice shone, especially on the last note where he was the only one who went high. The high note was accompanied by his iconic pose before he introduced Rod Stewart in a velvety smooth voice.



We Are The Champions came as a total surprise, and from the opening chords, my excitement was uncontainable and I was whooping. YES! Adam does Queen! A fitting end, seeing as it was what he started with. During the stream, this is when it froze, to my extreme annoyance. This song clearly wasn't Kris, who seemed to be reading the autocue when he started and was more than happy to hand over to Adam. They both exchanged looks and were happy and relaxed together on the stage behind the judges. Adam's first lines were resplendent, smooth and powerful with a fine clarity, delivered from a self-assured pose. He seemed to resonate with the lyrics, passionately and angrily spitting out I've had my share of sand kicked in my face but I've come through, which brought me all the way back near the beginning to BoW. I loved the way he phrased through, driving it with that extra power and punch. Yes, he's made it all the way to the end, despite all the shit that's been thrown at him and the additional pressure he's had to endure. Now it's time to celebrate. What a beautiful opening.

He was back to a rocker look in a brown leather jacket with exquisite detailing and matching boots over a black T-shirt and dark jeans. I felt that this look was on the subtle side so as to complement rather than dwarf Kris. Adam gave us a twirl of his wrist when the band were revealed before joining Queen on stage. When they sang together, their voices didn't mesh together very well and I felt that Adam held himself back a lot trying not to upstage Kris and steal the show, despite probably bursting to go crazy. I can't imagine any of the other contestants doing the same. Adam's second solo was a little less restrained, his voice had bite, giving me a rushing feeling when he hit a few high notes as Brian May looked on impressed. The following chorus, Kris dropped off a little. We are the champions, my friend had Adam and Kris demonstrating their friendship with a hand grab and shared smiles. They were clearly having a great time and it was infectious. It made us momentarily feel that they were both so happy to be there, not really caring about the end result with both being winners. There was no doubt then who the best singer, biggest talent and superstar was. It felt like the producers had to let Kris in on it out of obligation. The last note was frustrating for me because I wanted Adam to have free rein but instead he watched and matched Kris closely. Even when it came down to acknowledging the band afterwards, Adam's 'Queen, ladies and gentlemen,' compared to Kris's embarrassed and short 'Queen' spoke volumes about their different levels of showmanship. They should have ditched Kris on this one because he was like the gatecrasher at a glamorous party. I just wanted Adam to completely let rip, and so did Queen by the looks of it. But being the ever gracious host, Adam dressed himself down to make the gatecrasher feel welcome and less awkwardly out of place. You have to admire his class for doing this, but what a great shame it was. Perhaps this will be addressed in the future if Adam is allowed to perform with them. Brian looked very happy with Adam at the end, and Adam's family had such a blast by the looks of it. It felt like the crowning performance of the show where everyone came out and anything else afterwards would just be insignificant.



If you do not want to relive the end of the results show, skip the following paragraph.

When Adam and Kris came onto the stage for the final result, they looked happy still buzzing from the last performance and ready for it, wanting to get it over with. Adam had his arm slung around Kris like a very close friend and at that point, they really reminded me of Batman and Robin. Although Kris is likable and talented, he will always seem like Adam's sidekick. Adam seemed like his mentor when he pulled him into camera shot when the results bearer came onto the stage and obscured him from view. Adam's mother looked like she was unable to take any more, slouched in her seat. When Ryan made the announcement, it felt like time froze, I didn't breathe and the bottom of my gut dropped out. There was a little numbness, a feeling of complete anticlimax before disbelief and anger set in. NOOOOO! How the fuck could this happen? Adam is the clear winner! Adam's reaction was so gracious he immediately looked happy for Kris, pulling him close for a big hug, and shaking him into reality. He took a bow and Ryan called him a superstar before he gave the stage up for Kris. Kris said what we were all thinking - that Adam deserves this and was lost for words. Allison was quick to grab Adam but then pushed him by the ass to get back on the stage which was a little strange, but perhaps done to diffuse the awkwardness of Kris's lack of coherent speech. There was more hugging and they shared a joke before he cheered for Kris and left him to sing the coronation song. I noticed that Simon looked pissed off and wasn't on his feet like the other judges. Allison again took hold of Adam, putting her arm around him. I thought I saw a crack in the facade and a wistful expression appear on Adam's face. He may well be good at hiding it, but I do not believe Adam to be impervious to disappointment and hurt because I certainly felt it and I wasn't even involved. Adam stayed on the sidelines away from Kris for the rest of the show, allowing him the spotlight and cheering on his victory like a proud dad. My heart swelled with pride for Adam but ached with disappointment for him too.

A few other thoughts that struck me about the show was that it felt like Adam's plaything, like his tribute concert and finale to the Adam Lambert Show season where everyone else, including the established artists were just his support acts. Everyone was there to see or perform with him, the central piece of the show. For each of his group performances, he was the commanding stage presence, he seemed to be centre stage, get more camera time, the best camera shots and all eyes gravitated towards him. The stage was all his and he was in a totally different league. Even his solo was the last one of the night, barring the feeble coronation song, so he had the pimp spot again. It's glaringly obvious from any episode of AI8 who won the show and the season. It's been a week and I'm seriously suffering from the loss of The Adam Lambert Show from our screens. Still, I feel pleased now that Adam is stepping out from AI, spreading his wings ready to soar onwards and upwards. I'm holding on tight for the ride to wherever he takes me.

The Audition - Bohemian Rhapsody

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I remember it was a bit of a poor show so far and many of the contestants were rubbish. On came Adam Lambert, who I thought was a bit of an angsty punky goth. He seemed quite confident about being able to become the next American Idol. I had formed my first impressions on him before even before he started to sing. I expected him to sing some punk rock or something gothy, and I didn't expect him to be any good.

He tells us he's going to sing Bohemian Rhapsody and it gives me visions of tone-deaf drunken karaoke and Wayne's World headbanging, and I think 'Oh, no! Another rubbish audition.' I await the car crash moment. It just shows how wrong the assumptions we draw from first impressions can be. He opened his mouth and I was pleasantly taken aback by the quality of his voice. It was a great audition, strong, well controlled and pitch perfect, and there was a 'Wow!' that snatched at my breath. The surprise aside, I then half-agreed with Simon's comment of his voice being theatrical because I don't think the song suits auditions and it didn't seem to fit in with his demeanour. I thought he was one to watch though.



EDIT: For user-friendliness, I've added my edit of all the audition pieces put together which was originally posted back in June. Some other thoughts I've had on re-watching the audition are that Adam seems tired and sounds strangely monotonous in the pre-audition interview. Being a fellow night owl myself, I take it that it's his aversion to early mornings. Even back then, he demonstrated his ability to work his magic on the judges and adapted to deal with each in a different way. Kara's blatantly flirting with Adam who flirts back sweetly but doesn't actually kiss her hand. He keeps it friendly with Randy, who creepily seems a little too determined to test out his gaydar theory. He fanboys over Paula, who has a rare moment of clarity when she's blown away by him and says he's the best they'd seen in every city, and Simon who he treats with reverence is just his negative self but admits falling under his spell when he says 'Oh he's had us' around the 4:02 mark.