The gentle guitar introduction leads to the opening note that reminds me so much of CLYG. It seems that there are many screamers in the audience who can't handle the excitement to the vexation of everyone else trying to shush them. When I hear Adam sing, everything else falls away. I guess this is what he meant by bringing the focus back to the voice and I adore it. It's the closest I've heard to an a capella, and his soothing, mellifluous voice is painfully, achingly, agonisingly beautiful. The pretty melody is fairly simple, the range not too challenging, no vocal acrobatics, it's all about the emotions evoked by that voice in a song written for that voice. Even without understanding the lyrics, we can feel it's a haunting lament about an enduring sadness, energy and hope slowly draining away, which is so heartbreaking to listen to. It's sung so smoothly and flawlessly with breathtaking trills effortlessly eased into that floating voice, topped off by a heart-stopping crescendo with grit providing the necessary light and shade. I must admit I have a bit of a fixation with the rich hoarseness of that final "hell". Stunning.
I suspect that the arrangement for this is much sparser than what the studio version will be, but I hope the vocals will still be central with nothing detracting from it. I like the idea of having an acoustic rather than an electronic production, perhaps with just a piano or even harp as accompaniment. Whichever way, I'm looking forward to seeing how Adam changes it up. Perhaps one thing I'd tweak is the bridge. It reminds me of Broken Open but I think the transition into it could flow a little better. I'm rather excited by video possibilities for this song, which feels quite cinematic. Ronnie and Clyde outlaws on a road trip. Wearing Burning Man costumes.
The lyrics are uncomplicated and sincere with a strong clear message, making it a potential anthem for LGBT rights. I think it would have been ideal for performing on the recent awards shows Adam has attended. We are all human, feel the same range of emotions but some of us are demonised simply because we lie outside society's rules over how we ought to love.
Oh, nowhere left to goNote to Screamflailberters: For the benefit of all concerned, STFU when adam sings please. Shit your pants, die, explode, whatever, AFTER he has indicated he has finished the song. Thankyouverymuch. I spent fucking ages trying to clean up after your mess and there isn't just just some fucking program I run this through to magically get rid of every unwanted noise. It involves manually pinpointing the set of frequencies of every single fucking noise for zapping. This means having to listen to every single fucking one of your painful wince-inducing sounds over and over, making sure Adam's voice doesn't become too distorted and the removal isn't too jarring. It's no wonder I want to retire after each edit, especially when cleaning the sound takes longer than the video. It drives me insane. Rant over.
Are we getting closer, closer?
"No," all they know is "No!"
Nights are getting colder, colder
Hey, tears all fall the same
We all feel the rain
We can't change
Everywhere we go we're looking for the sun
Nowhere to grow old we're always on the run
They say we'll rot in hell, well I don't think we will
They've branded us enough, outlaws of love
Scars make us who we are
Hearts and homes are broken open
Far, we could go so far
With our minds wide open, open
Hey, tears all fall the same
We all feel the rain
We can't change
Everywhere we go we're looking for the sun
Nowhere to grow old we're always on the run
They say we'll rot in hell, well I don't think we will
They've branded us enough, outlaws of love
Aaah...
Everywhere we go we're looking for the sun
Nowhere to grow old we're always on the run
They say we'll rot in hell, well I don't think we will
They've branded us enough, outlaws of love
Outlaws of love
Outlaws of love
Outlaws of love
Outlaws of love
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